An iconic spire and precious stained glass: All that could be lost in the Notre Dame blaze, When Paris’s Notre Dame Cathedral was heavily damaged by flames on Monday, much of one of the most famed examples of Gothic architecture — a building that has seen centuries of history and is a symbol of France — went up in smoke.
It was not yet known what caused the fire, though officials have suggested it is connected to the recent restoration. But what is known is that Notre Dame — both as an icon and as an actual, physical building — is irreplaceable, with a history as grand as the spire that collapsed in the blaze.
Construction of Notre Dame, which was built on the ruins of earlier churches, began in 1163, when Pope Alexander III laid the foundation stone. It wasn’t completed until 1345.
Since that time, it has seen the coronations of Henry VI of England in 1431 and of Napoleon in 1804. It was vandalized in the 16th century by Huguenots and was used as a food warehouse during the French Revolution. It served as the backdrop for Victor Hugo’s 1831 “Notre Dame de Paris” (better known in English as “The Hunchback of Notre Dame”). The book’s place in French literature meant that calls for restoration were finally heeded in the middle of the 19th century — much of the current structure dates not to the 12th century but to the 19th.
In 1909, it stood witness to Pope Pius X’s beatification of Joan of Arc. And every year, 12 million tourists pass through, hoping to get a glimpse of the walls that have seen so much.
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| An iconic spire and precious stained glass: All that could be lost in the Notre Dame blaze |
But while the building itself is considered by many to be a work of art, the cathedral houses irreplaceable works of art, too. Some of it was taken out recently for restoration.
In the cathedral, there are statues: At the Mausoleum of Claude-Henry d’Harcourt, the lieutenant-general of the king’s armies who died at age 65 is captured eternally in a white marble sculpture from 1776. In the sanctuary, there’s a statue of Madonna and Child — one of 37 representations of the Virgin Mary in the Cathedral — that dates back to the 14th century (though it was moved to the cathedral only in 1818).
There are the paintings, like the 1648 portrait of St. Thomas Aquinas at the fountain of wisdom, and the divine “Visitation” from 1716. The art works, according to a Notre Dame priest, had been removed.
But then there is, famously, the stained glass. The famous South Rose window, offered by King St. Louis, was created in 1260. The cathedral’s website boasts that its three rose windows “constitute one of the great masterpieces of Christianity.”
The same could be said of Notre Dame itself.
